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Utopie e piccole soddisfazioni

by BOLOGNA VIOLENTA

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Incipit 01:36
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Utopie 00:58
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Remerda 01:06
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Intermezzo 02:03
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Il bimbo 00:38
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Popolo bue 00:42
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about

LP 12” VINYL 180gr Gatefold (OFF555012) — SOLD OUT

Utopie e piccole soddisfazioni (2012) is Bologna Violenta’s third album.

Unlike his former works, it contains no reference to movies whatsoever, concentrating instead on music and the intense sensations it can give the listener.

Twenty-one tracks that spring from personal experiences, from times of great distress and other times when everything seems shrouded in a veil of irony that often conceals deep truths.

In this album the trademark Bologna Violenta sound is accompanied by string orchestras, that alternate sparkles of tremendous intensity to more traditionally grotesque and noisy bits.

It starts off with a pounding and melancholic musical commentary to the end of year speech of a former President of the Republic and immediately afterwards, it plunges the listener into a sonic environment that blends traditional polish folk songs with the deepest electro, that harmonizes 80s-style punk-hardcore with eastern Europe orchestras, that setsBenedictine monks’ choirs as a counter-alter to the anguished cries of tortured people.

Very few words are employed in the whole album: the great utopias that move the world and the human spirit are ridiculed by the distinct feeling that in the end small everyday satisfactions are what makes our life better.

This album features some special guests, among which J. Randall, singer in the american bandAgoraphobic Nosebleed and label-manager of Grindcore Karaoke (a label that is shaping up a whole new grind scene) and Aimone Romizi from Fast Animals And Slow Kids, voice in the cover Valium Tavor Serenase by CCCP (a tribute to the punk scene in Bologna in the 80s and a mockery of that so called “normality” that makes men mediocre, nowadays just like thirty years ago).

Utopie e piccole soddisfazioni represents a turning point in the artistic evolution of the project and at the same time it confirms its original intentions: making serious music that bluntly strikes the soul of the listener.

credits

released January 27, 2012

Il disco è stato registrato, mixato e masterizzato nella Taverna Agnostica (Povegliano - Tv) tra luglio e dicembre 2011 da Nicola Manzan con l'aiuto di Nunzia Tamburrano, tranne Il Bimbo e Lutto della testa, registrate a Casa Pertile (Bologna) tra marzo ed aprile 2011.
La voce di Aimone Romizi (Fast Animals and Slow Kids) è stata registrata da Diego Radicati e Daniele Bocchini all'Urban Studio di Perugia - dicembre 2011.
La voce di J. Randall (Agoraphobic Nosebleed) è stata registrata a Springfield (USA) ed assemblata da Nicola Manzan - dicembre 2011.
J. Randall appare per gentile concessione di Relapse Records.
La voce di Francesco Valente è stata registrata da Nicola Manzan in una cisterna di Civitella del Tronto (Te) - agosto 2010.

Tutte le musiche ed i testi sono di Nicola Manzan, tranne Valium Tavor Serenase di M. Zamboni.

Tutti i brani sono editi da Kizmaiaz Edizioni Musicali tranne Valium Tavor Serenase, edita da EMI Virgin Music.

Concept grafico: Nicola Manzan e Nunzia Tamburrano.

Realizzazione grafica: eeviac | sonsofmusic.net

Nicola Manzan usa chitarre Gibson e violini Carioni.

Wallace Records / Dischi Bervisti - 2012
wallace146 / DB01
Offset Records: OFF555012

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Offset Records Italy

Italian independent label focused on avant experimental music and imaginary soundtracks since 2009

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